![crimson gray cheer up note crimson gray cheer up note](https://cloudfront-us-east-1.images.arcpublishing.com/gray/N2H6GH26DVHYVEJOALDGQLFX6Y.jpg)
Emily daydreams of a "Bridge to Hawaii," where even the destitute could walk their asses to paradise-before being snapped out of it by cat-calls from construction workers, business dads, and drunk hobos ("Hey Girl") sweaty jerks telling her that she should smile! #8") and the accountability-allergic, black-clad brick-heavers of "This Is Anarchy." The protagonist of "Psychedelic Quinceañera"-based on Bree-just wants to dance with rainbows, mind-expansion style, instead of having to wear a frilly dress in front of her whole family. There's the notoriously inconsistent #8 Metro line ("F.U. Cigarette cellophane-wrapped weed nugs, pain pill crumbs and wrapped tampons ("all the girls are surfing the wave, surfing the crimson wave today”), all serve as a roadmap through Tacocat’s bong-ripped reminiscences, scenarios all-too familiar and hilariously improbable. NVM-Tacocat's second full-length album and first for Hardly Art, opens up like some mystery shoebox, wistful, instantly nostalgic: snapshots of mortifying exes ("You Never Came Back") and sketchy party situations ("Party Trap"), maybe a postcard with an alien smoking a joint. They've described themselves variously as "Feminist sci-fi" and "Equal parts Kurt and Courtney" oh well, whatever…NVM. Their sly and unabashed ‘90s revivalism has, in the past, found the band pondering Evan Dando and Waterworld-and Bree herself explains finding about riot grrrl via Napster and Julia Stiles in 10 Things I Hate About You. The foursome would quickly make a name for themselves with their simply energizing power pop, drawing on classic Northwest energy with an uncommonly upbeat, surfy swag that could only come from gray skies and hydroponic sunshine. Sometime around 2007, via countless raucous house party shows, the legend of Tacocat was born. Eric impressed Emily with his reenactments of scenes from Anaconda.
![crimson gray cheer up note crimson gray cheer up note](https://images-na.ssl-images-amazon.com/images/I/61EgMWf8ahL.jpg)
Emily and Bree hit it off one sloshy night at the Comet. Lelah met Butte, MT native Emily Nokes (voice, tambourine) in one excruciatingly early/boring graphic design class, slipping her a doodled-upon note she soon noticed Emily's big voice while she sang along with R. Eric's band The Trashies practiced and played in the basement of the 24/7 House in the Central District, where Long Beach, CA native Bree McKenna (bass) was living, amongst the dust, boxes, and spiders. She met lanky Eric while both worked at Safeway, wearing the chain's distinctive navy aprons before breaking north to Seattle. Lelah's family room was wallpapered with framed Magic Eye posters, hence "Stereogram," the cross-eyed love letter to that bizarre ‘90s optical fad. The band's four-person, seven-layer-burrito came together organically: Lelah Maupin (drums) and Eric Randall (guitar) met in their native Longview, WA-two hours south of Seattle, the very town that Green Day named their breakout debut single after.
![crimson gray cheer up note crimson gray cheer up note](https://pixelsquote.net/wp-content/uploads/images1/Cheer-Quotes-Image-2.jpg)
Like a fluorescent-lit snack-aisle oasis in some desolate interstate road stop, brimming with Skittles and limited-edition Sno Balls, Tacocat's Easter-egg-hued pop-punk-pop is bubblegum-sticky with hooks, bound to brighten up the most drab stretch of bummer backroad.